You can add Mark Wahlberg versus Oil Spill to the previous list of memorable 2016 slugfests.   He’s gone up against Decepticons, prize fighters, countless criminals, and a justifiably protective father of teenage Reese Witherspoon, but how will he fare against the most destructive oil spill in US history?  Let’s find out.  If you responded with serious side eye to Lionsgate turning the 2010 BP oil spill into a disaster movie, I wouldn’t blame you.

But after seeing Deepwater Horizon, I can attest that this is actually a very considerate and gripping retelling of the events that happened in the Gulf of Mexico on April 20^th, 2010. Upon closer look this shouldn’t be a surprise given that it’s directed by Peter Berg, one of the most underrated screen auteurs working today (Lone Survivor, The Kingdom, HBO’s The Leftovers, and Friday Night Lights both movie and TV show).   What makes Deepwater Horizon more than just a disaster movie is that the hour or so leading up to the catastrophe is truly compelling storytelling, intermixed with grade-A Louisiana good ole boy banter, and not just filler waiting for the hook. In fact, I even enjoyed the lead up a little more than what follows in the onset of Mark Wahlberg, family man morphing into Mark Wahlberg, action hero (that part’s still good too though, duh).  The main event of the film in my opinion isn’t even the spill, but site crew chief Kurt Russell going toe to toe with a contentious BP executive played by John Malkovich. Malkovich in particular, with such a good southern drawl that I seriously thought it was just someone that looked like him playing the part, turns in probably my favorite villainous performance of the year.  BP certainly cannot be thrilled with their portrayal in this film, for obvious reasons.  Tier 4

I saw five worthwhile movies in September, but none of which made it into the top tier.  Spoiler-free blurbs on Don’t Think Twice, Deepwater Horizon, The Magnificent Seven, Keanu, and Eye In The Sky below.

Confession:  I have never seen Key and Peele, the TV show.  Friends would commonly bring up that week’s best sketch, and I just nod my head and cosign that it was funny.  When in reality, I have no goddamn clue what “Liam Neesons” actually means.  Same goes for any band or artist that has come to prominence in the past 2 or 3 years.  “Desiigner?  Yeah…sure…he’s lit, but we’re all also still listening to that one Foster The People album, right?”  I’m aware of Key and Peele and enjoy their presence whenever they randomly pop up in other TV shows (i.e. the first season of Fargo), but I don’t know, sketch comedy shows rarely make it onto my DVR.

However I guess I need to go back and watch the past seasons, because Keanu (aka Key and Peele the movie) is pretty damn hilarious at times. I thought it hit a lot of the same beats Pineapple Express did in 2008 (two joe schmoes get mixed up with some criminals, violent hijinks ensue), but there’s a different spin on it. Instead of two stoners, it’s two self-aware corny suburbanites. Early on Key and Peele are led into a situation where they have to act a lot harder than they actually are and this plot point continues throughout.  To me, the characters they end up embedding come off as impressions of TyRee and Lysol from Dave Chappelle’s Mad Real World sketch, and it’s easily the best part of the movie. Unsurprisingly given Key and Peele’s clout within the comedy community, lots of good cameo’s in this one.  Tier 5

Rated Greg’s All Time Favorite Westerns* – Ranked

1. Tombstone
2. Django Unchained
3. Unforgiven
4. Rango
5. The Hateful Eight

*Full Disclosure:  I have not seen any of your father’s favorite Westerns.  This includes the original Magnificent Seven, Butch Cassidy, The Good Bad And Ugly, shit… even with Blazing Saddles I’ve only seen bits and pieces.  Maybe once I’m a full-time movie critic I’ll have the time to sit down and fully soak these in.

Any slightly more than casual NFL fan is well aware of LA Rams head coach Jeff Fisher.  Not necessarily because of any recent success his teams have achieved, but because he’s openly mocked for an uncanny ability to finish with six to eight total wins seemingly every single season (he even addressed this in an HBO Hard Knocks episode last month).  In fairness, the year-end records of 6-10, 7-9, or 8-8 have only occurred in 12 of his 20 full seasons of coaching, but this includes a current streak of six straight seasons starting in 2009.  Part of the joke is bafflement over how someone with such a mediocre coaching resume keeps signing contract extensions, wondering if Fisher has some sort of dirt on his billionaire bosses or if they’re just feeling nostalgic over his Super Bowl trip with the Titans…. SEVENTEEN years ago.  Whatever the reason is, it’s strange given the fact that most NFL owners go through head coaches faster than Jerry went through girlfriends on Seinfeld.

What’s all of this got to do with The Magnificent Seven you ask?  Well, I wonder if Hollywood views The Magnificent Seven’s director, Antoine Fuqua, the same way the NFL public sees Jeff Fisher.  Like Fisher, he still seems to be skating by on a singular gem of a job a decade and a half ago.  Don’t get me wrong, Fuqua’s 2001 film Training Day is probably a top 5 cop movie of all time, but there has to be some sort of statute of limitations on inserting “From the director of Training Day” onto each of your subsequent movie posters fifteen years later (seriously, take a look below).  It’s like if the Rams came out for the home opener and the announcer bellowed “From the leader of the 1999 Super Bowl Runner-Up, YOUR 2016 LA RAMS!!!”

I’m not even saying the rest of Fuqua’s movies are that bad necessarily, just extremely forgettable 7-9 or 8-8 seasons for the most part (Southpaw and Magnificent Seven would probably earn a 9-7 record in a weak division).  What saves The Magnificent Seven is Denzel doing Denzel things, only with a cool hat and a trusty horse.  He seems right at home in what’s hard to believe is his first Western.  As the title suggests, there’s other characters of course but they’re better off just playing the offensive line to Denzel’s quarterback.  Even Chris Pratt, one of the very few legitimate American movie stars under 40, can barely keep up and comes off a little flat.  The latter half inevitably features an impressive and lengthy shootout, but overall this film will remind you more of the old Wild West show at Wild World (aka Adventure World, aka Six Flags: PGC) than any of the Top Five Westerns listed above.  Tier 4

Back in March I posted a belated appreciation of The Guest, a movie that did not get it’s due justice in the year it came out (2014).  Here are seven other films of the past ten years that I feel were significantly overlooked by the general public and definitely would have been in the Rated Greg tier had I been doing this blog back then.  Each blurb includes links to some of my favorite scenes from each movie.

The Place Beyond The Pines (2012)                                                                                                                     Summary:  This was marketed as your standard Cops and Robbers thriller, pitting Bradley Cooper against Ryan Gosling, but that is not exactly what the theater goers got.  TPBTP is an incredible drama separated into three deliberate acts, centering on the drastic effects a chance encounter has on two different bloodlines.  I’m not 100% sure why this movie came and went without much fanfare, but part of the blame should go to a bad title, a poorly timed theater rollout in early January, and the aforementioned misdirection in what this movie actually is.                                                                                                                                    What It Should Be Known For:  Despite not being nominated, the best movie of 2012 (Lincoln won the Oscar).  The third best bank robbing movie of all time.  America’s introduction to Ben Mendelsohn.  The beginning of the best looking real life couple on the planet (Gosling and Eva Mendez).   One of the coolest opening tracking shots ever.  Cinemax On-Demand

Pain & Gain (2013)                                                                                                                                                  Summary:  A reenactment of a 1995 Miami crime story about three bodybuilders and a botched kidnapping scheme.  As ridiculous as a lot of this movie is, apparently these events actually happened.  It takes about 20-25 minutes for the vibe of this movie to really sink in, so I urge you to stick with it, it will pay off.                                                                                   What It Should Be Known For:  Michael Bay’s ode to a Coen Brother’s crime caper featuring characters getting increasingly in over their head (Bay has deservedly taken a lot of shit over the past decade for his Transformers movies, but he still knows how to make a very entertaining R-rated two hours).   By far The Rock’s best performance.  Mark Wahlberg’s funniest movie.

Celeste & Jessie Forever (2012)                                                                                                                             Summary:  Rashida Jones and Andy Samberg play a couple in the midst of getting a divorce while also remaining best friends.  A relationship dramedy in the vein of Judd Apatow’s films, and even eclipses them.                                                                                                            What It Should Be Known For:  The prolific screenwriting debut of Rashida Jones.  Disney clearly took notice because she’s the lead writer of Toy Story 4.  Despite the goofball shtick, Samberg can act.

The Grey (2011)                                                                                                                                                         Summary:  Six oil workers, led by a dexterous Liam Neeson, are stranded in the Alaskan wilderness and must evade a ferocious, hungry pack of wolves.  This is downright terrifying at times.                                                                                                                                                  What It Should Be Known For:  You can have all of the Takens and other formulaic Liam Neeson ass-kicking movies, I’ll take The Grey.  This is Neeson’s best action movie by far and one of the great man vs. nature films.

Miami Vice* (2006)                                                                                                                                                  Summary:  Michael Mann’s big screen adaptation of the swaggerific 80’s TV show, with Colin Farrell and Jamie Foxx as Crockett and Tubbs.  The brothers from another mother enlist in an undercover operation to…….wait to be honest I couldn’t tell you the exact plot of this movie, but that’s beside the point.                                                                                     What It Should Be Known For:  *It’s kind of cheating to include Miami Vice in this list, as I’m pretty sure the film already has a decent sized cult following.  BUT, the fact is the movie has a 47% score on Rotten Tomatoes and it was panned by most viewers when it came out, including myself.  However, I rewatched it years later and I guarantee if Miami Vice came out today it would earn at least a 90%.  Now I legit can’t turn it off anytime I come across it.  There’s a very subtle campiness, whether intentional or not, that is much more appreciated by critics these days (i.e. if Drive came out in 2006 it probably would have gotten awful reviews as well).  Michael Mann knows how to shoot a movie and this is his most beautiful film.  If you enjoyed Farrell’s performance in True Detective, you’ll love Miami Vice.  He famously checked into rehab as soon as shooting ended and it shows.

Coherence (2013)                                                                                                                                                     Summary:  Bill Simmons has a joke about how he always enjoys “Blank from Hell movies” (i.e. the neighbor from hell, the Tinder date from hell, the 13 person brunch bill from hell).  Well, Coherence is the dinner party from hell.  The less I say about this movie, the better.  It’ll keep you guessing through the end.                                                                                  What It Should Be Known For:  Coherence would fit right in with the Black Mirror anthology series.   For those not familiar with Black Mirror, 1.  Watch it on Netflix immediately, and 2.  It’s like a present day Twilight Zone.  Streaming on Amazon Prime

The Prestige* (2006)                                                                                                                                                  Summary:  Christian Bale and Hugh Jackman play two feuding magicians in 19th century London with a serious beef.  Yeah I know, you hear the subject of magicians and want to hard pass, but trust me it’s GREAT.  There’s only two things involving magic that I enjoy.  One is telling the story of the worst date of my life at The Magic Castle in LA, the other is this movie.  Also stars Scarlett Johansson, Michael Caine, and David Bowie.                         What It Should Be Known For:  *It might be cheating to include The Prestige in this list as well since it’s pretty well regarded among cinephiles, but it does seem to be forgotten when speaking on the pantheon of Christopher Nolan’s films.   Yes the Dark Knight Trilogy, Inception, Interstellar are all-timers, but I really think The Prestige is the true masterpiece of the best working filmmaker today.  The greatest twist ending ever?  Someone spoiled Sixth Sense and Usual Suspects to me, so Prestige would be my pick for that title.  This link literally shows the first two and a half minutes of the movie, so it’s not spoiling anything.

Written, directed by, and starring stand-up comedian Mike Birbiglia, Don’t Think Twice is a heartfelt love letter to all creative performers, particularly those not so young anymore, still scrambling to make a living in a very competitive field. It must take a lot of nerve for artists to resist safer careers in more modest vocations (what up accounting, I’ll see you tomorrow!), and Birbiglia aims to recognize this in his very personal drama.  Don’t be fooled by the funny people on the poster, this is not a comedy, it’s a drama ABOUT comedy.

The film centers on an improv troupe of six people who are also best friends, roommates, and lovers when they are not at the offshoot theater where they perform. One of the more interesting ideas is the honest portrayal of how one might feel towards the perceived success of a good friend in a make or break industry. Sure, you’re smiling on the outside, but inside…”you lucky SOB.”

The movie also throws some serious shade at Saturday Night Live, an institution that I have to assume some of the cast auditioned for at some point in real life.  Costarring  Keegan-Michael Key and the lovely Gillian Jacobs, Don’t Think Twice is one of a kind and worth the trip to the indie theater.  Tier 2 – Runner Up

I saw another eight worthwhile movies in August, three of which landed in the top tier.  Hell or High Water is probably my #2 of the year at this point and Weiner is the best documentary I’ve seen in years.  The titles in bold are new this month and as always there are spoiler-free blurbs on each below.